Tag Archives: Rik Swartzwelder

Real life is messy

Messy

To be clear, the characters of Clay and Amber in Old Fashioned are not perfect.  They are flawed, broken people who are doing the best they can in stumbling toward a better way of loving each other… and a better understanding of God’s love for them.

Just like most of us.

It’s a tricky thing whenever you explore religious or spiritual themes in a film and especially so when you get anywhere near the label of being “faith-based” or something along those lines.

Suddenly, there is this odd expectation that the characters in your film are no longer allowed to be human or imperfect; but rather, they must be… examples.

That’s a lot of pressure.

And it’s also one of the reasons that so much criticism is often leveled at faith-based films for not being realistic or dealing with real-world issues in ways that are familiar to the audience.

Honestly, given some of the parameters of this niche… I’m not sure how you could accurately and truthfully make a “faith-based” film about the life of King David… or Abraham and Sarah… or countless other Biblical characters that were deeply, profoundly flawed.  I think there would be a great deal of pressure to tidy things up a bit… or leave certain elements out so as to not rock the boat too much… or, possibly, to craft a superior and more appropriate example.

And that would be a shame.  Because it is often through brokenness that God does some of His very best work.

Now, just so there is no confusion over what I’m saying here… I’m not saying you would have to be explicit in a film depicting the darker corners of the lives of those Biblical characters… or any characters in any film.  In the case of Clay and Amber in Old Fashioned, we’re able to explore some real, grown-up issues in a way that never gets explicit or crosses any lines.

Old Fashioned is rated PG-13 for “thematic material” which translates… real life is messy.  And probably a little boring for little kids!

Our film has no coarse language (at all), no explicit sex or violence, and nothing that exploits or degrades the actors.  But, it does deal honestly and openly with some relational mistakes and regrets and situations that are very much set in reality and are just as messy and complicated as those found in our own lives.

And still, God’s grace abounds.

Bottom line is, when it comes to film ratings, if you filmed someone at a table who just opened a Bible and starting reading out loud from the Old Testament… that would almost certainly be rated PG-13 for “thematic material.”  As it should.

In any event…

It’s more than a little important when making (or watching) a film that includes religious or spiritual themes that we remember and remain open to the indisputable fact that all of us—ALL of us—are still works in progress.

As Aunt Zella says in Old Fashioned

“None of us fully arrive this side of Heaven.”

There is a deep longing for authenticity and genuine innocence growing in our culture.  And the common ground for connecting and sharing the love of Christ with those that are searching is our brokenness… not our perfection (or rather, our imagined perfection).

I mention this because…

With all of the Fifty Shades of Grey hype and comparison with Old Fashioned (which has raised our profile beyond measure and for which I’m sincerely grateful), some might start thinking that we’re positioning ourselves as some kind of Pollyanna or perfect “example” of flawless, unblemished love.

We are not.

The truth is, both stories deal with very broken, wounded protagonists… two men that are isolated, damaged, and emotionally detached.

The difference is in how the protagonists pursue their healing.

It’s not about passing judgment on anyone or anything… it’s about a sincere desire to find paths toward healing and wholeness in a world that often outright ignores the sacred aspect and purpose for which love and romance was created.

And finding those paths, in life and movies (and marketing) can be and often is… messy.

Thank God for His mercy… and for providing us all with the one and only perfect “example” this world has ever seen…

– Rik

 

The Artist as Missionary

Do you have a story from your life that you share often?  One of those personal life experience kind of stories that eventually becomes so much a part of you it seems it’s no longer merely a story you tell others… it’s something far more mystical and magical; it’s a story that is actually telling you, shaping you, guiding you

This is one of my stories; one that has a hold on me like that.  I tell it a lot, but I’ve never written it down.  The events are true, I was there… and I haven’t been the same since.

After the screening of one of my films at a Christian college in the Midwest, a young student with tears in her eyes approached me.  She told me how she believed God was calling her to be an actress.  I’m sometimes skeptical at statements like this… but she was convincing. I listened.  She shared with great detail and passion her desire to honor God through the craft of acting and then her voice faltered, disappearing into a whisper.

“But,” she said.

“Stop,” I interrupted.  “Let me guess… your parents…”  She nodded.  “They told you not to go into acting because there’s no money it.”  Her eyes widened as she nodded again.  “They also told you that Hollywood is a dark and evil place and if you go there something bad might happen to you.”  She nodded one last time and lowered her head.

I wasn’t being prophetic; it’s just that I’d already heard all the arguments against the entertainment industry.  A hundred times.  But this moment was different.  With her hopeful eyes looking to me for some kind of answer and my own words still echoing all around me… it happened.  Epiphany.  Clarity.  God opened my eyes to the obvious.

The artist as missionary.

What if, hundreds of years ago, the church had told potential missionaries, “Don’t do it.  There’s no money in it.  Besides, you might have to go to far away places where bad things might happen to you.”  What a tragic loss that would have been.  Yes, many died penniless.  Yes, some even died tragic deaths in far away places.  And the world was changed because of them.  Is the cause of Christ no longer worth the risk?  What is His story telling… how is His story shaping… where is His story guiding?

We are all missionaries, in a sense.  And the truth remains, the only safe place to be is where Christ calls; it doesn’t matter if you’re a nurse, preacher, tentmaker, writer, or even… an actor.

– Rik

* An edited version of this blog post originally appeared in The Columbia Union Visitor in December 2007.

 

Love into Greatness

Did you ever wonder why so many of the world’s most talented and famous singers—in all kinds of genres—grew up singing in churches?

I don’t think it’s a coincidence… and I don’t think those singers can take all the credit for their success.

In part, they were loved into greatness.

It’s true, God-given talent can be spotted from a very young age; but, my guess is that not all of those singers were drop-dead amazing and 100% pitch perfect the very first time they sang a solo at church.  The raw talent may have been there… but it needed to be nurtured.

And it was.  By congregations that applauded them and showered them with praise and encouragement not only for the performance… but also because of the potential that was there.  Those congregations didn’t sit back, fold their arms, and say, “Impress us, kid.”  They did the exact opposite… they took an active role in helping that kid blossom into a greater talent than ever could have been possible without that kind of love and support.

It reminds me of a story I heard once about a church congregation looking for a new pastor.  They kept getting all these top-notch resumes from rock star preachers, but passed on them all.  Finally, they extended an audition/invite to a younger, beginning preacher that was rough around the edges but had genuine potential.  The church gave him the job.  Someone asked one of the elders why the church passed on so many great preachers and offered the job to someone with so little experience…

The elder replied, “Those other preachers are already great.  We’d rather have the kid that could go either way and help ensure that he becomes great.  That’s our job.”

They saw it as their mission to love into greatness.  Beautiful.

So… what’s any of this got to do with Old Fashioned or filmmaking?

I’ve been pretty blessed and lucky in my filmmaking journey.  Many of my earlier films have done rather well on the festival circuit, received distribution deals, and earned some decent reviews.  And, even though I’ve also dealt with my fair share of criticism (like all filmmakers)… by and large, I’ve been on the receiving end of above average encouragement, kudos, and support.

That’s not true for everybody.  Especially for a lot of young filmmakers just now starting out…

We are in the midst of a mini-explosion of “faith-based” films (I’m on a mission to dream up another genre description for this)… and a lot of these young filmmakers just beginning their journeys are taking an absolute beating.  To say they are not being loved into greatness would be a gross understatement.

Now, again, I would never defend any hack charlatans that are making quickie films to cash in on a niche… or those that really don’t love cinema and aren’t genuinely working as hard as they can to make the best films they possibly can.  But the truth is, I really don’t know many filmmakers like that, personally.  Most of the folks I know want to make solid, entertaining films… and are committed to finding ways to make the exploration of spiritual themes more organic and authentic in their work.

But alas, many of the most talented filmmakers I’ve met along the way are no longer making films.  They were crushed, mercilessly, over and over for not making Citizen Kane right out of the gate and simply decided it just wasn’t worth it any more.

I can hear it already: “Well, they didn’t want it bad enough.  Too bad.  Toughen up.”  But, until you’ve been on the receiving end of unbridled, gleeful (often anonymous) criticism… no disrespect, but, you really don’t know what you’re talking about.

Maybe it’s because we live in such a media saturated age and we love talking about movies so much as a culture.  But, the chatter (even amongst “religious” or “spiritual” people) can be just plain brutal, especially in the Internet era.  And I wonder, what’s the point or goal of that?

As hard as it is to sing a solo in church… directing a film is infinitely more complicated, has way more moving parts, and many more things that can go wrong along the way.  And yet, I rarely see the concept of “love into greatness” applied to young filmmakers just starting out to the degree it is in other mediums.

And that’s a shame.  Like that church elder said, it is up to us to ensure that the kid that has the talent—but could go either way—becomes great, lives up to his or her potential.  Not beat them down because the effects in their first sci-fi short or indie feature don’t live up to the latest Star Wars film or superhero movie.

On that note, if you haven’t seen the very first films (shorts or features) of your favorite director, that might be worth doing.  With few exceptions, most of those films are far from perfect even though they do admittedly possess the spark and possibility of something better further down the road.  And many of the world’s greatest filmmakers owe their very careers to insightful critics who saw that potential and helped nurture it so it might survive and blossom (rather than kill it for not being fully formed right out of the gate).

To be clear, I’m in no way saying that there shouldn’t be film criticism… there definitely should be.  And I’m not saying we should settle for less than the pursuit of artistic excellence in “faith-based” filmmaking (or any other kind).  We shouldn’t.  But, what’s our end game?  The purpose of our critique?

There is a context for everything.  And it takes time to get great at anything.  Legend has it that Frank Capra (It’s a Wonderful Life) made more than 100 one-reelers (10-minute shorts) before his first full-length feature.  I’ve never seen his very first short, but… my guess is, it isn’t a home run.

As people of faith, we should be looking for ways to “love into greatness” whenever possible… that’s really all I’m trying to say here.  And that goes for all of life.  Not just for kids singing in church.  Not just for filmmakers.  For everyone…

My official two cents for the day…

“Do not let any unwholesome talk come out of your mouths, but only what is helpful for building others up according to their needs, that it may benefit those who listen.” (Ephesians 4:29)

– Rik

 

A Longing for More Old Fashioned Relationships

OldFashionedRelationships

The last post featured the author of the Old Fashioned novelization, Rene Gutteridge.

Today, it is my pleasure to introduce the author of our non-fiction, companion devotional, The Old Fashioned Way: Reclaiming the Lost Art of Romance.

Ladies and gentlemen, the one and only Ginger Kolbaba

When I was in the fourth grade, my teacher, Miss Raymond, asked the class about the future and what would happen if we ran out of energy, oil, and electricity. She was looking for us to be creative about other ways that we could survive.

I knew the answer and I was thrilled to share it. “We could go back to the way things were in the 1800s. With horses and buggies and stuff.” I thought it was clearly brilliant; Miss Raymond did not.

Looking back these many moons later, I am no longer thrilled with the prospect of returning to the days when we had no air conditioning, cars, or DVRs that can record endless episodes of Downton Abbey. While I may not want to travel around on horseback, there are a few ways that I do still agree with my younger self who saw value in the way things used to be. I yearn for the days of good old fashioned relationships. When front porches were used to sit out and greet neighbors passing by. When a handshake meant the same as a contract signed, witnessed, and notarized. When saying “I do” meant “until I die.”

So when the Tyndale editors and Rik Swartzwelder asked me to write the nonfiction counterpart to the movie Old Fashioned, I jumped at the opportunity. In writing 40 days’ worth of reflections on different “old fashioned” values, such as chivalry and kindness and honor, I was able to share vulnerably what those issues mean to me—someone who has yearned to do things right, but who has too often missed the mark, and who is grateful for redemption and second (and fifth and twenty-seventh) chances. I wanted to fill the pages with grace, encouragement, and hope—and even a bit of challenge.

Obviously the “good old days” weren’t always so good. Neither have we arrived at the pinnacle of knowledge in our society today. But I do think we can harness what was good about yesteryear’s and today’s mores and use them to become the kind of people who overflow with the beauty of Jesus in all our relationships.

That’s what I think about when I think of being old fashioned: I want to be a person who is respectful, who genuinely listens, who takes time to laugh and cry with others, who honors others, who forgives, and who focuses on the other person without having to check text and email messages every few minutes. Someone who lets a yes be yes and a no, no. Someone who lives by the Golden Rule: “Do to others whatever you would like them to do to you” (Matthew 7:12). Those are pretty good traits to have whether you’re riding a Mustang with a tail or one that has a Ford emblem on its front grill.

I love the fact that a book about reconsidering old fashioned virtues is releasing first in a digital format on September 1 and then in print on January 1. That’s what being old fashioned is all about—combining the best of both worlds. I’m blessed (another old fashioned word!) to be part of the Old Fashioned movement. I hope you’ll check out the book and let me know your thoughts at http://www.gingerkolbaba.com/.

– Ginger Kolbaba

 

How “Old Fashioned” Helped One Woman Overcome Her Romance Handicap

Yesterday was a BIG day for Old Fashioned

The eBook/digital versions of both the novelization of the film and the non-fiction companion devotional (The Old Fashioned Way: Reclaiming the Lost Art of Romance) were released by Tyndale House Publishers.

They can be purchased NOW at Amazon, Barnes & Noble, and cbd.com.

Print copies will be in stores in January 2015 (just before Old Fashioned lands in theatres on Valentine’s Day) and can be pre-ordered now via a wide variety of online retailers.

In honor of this milestone, today we have a very special guest blogger: Rene Gutteridge, the incredibly talented author of the novelization of Old Fashioned!  Enjoy…

When you’re a romantic comedy writer, people make assumptions about your personal life.  They believe my life is heavy on the romance and the comedy is thrown in for good measure.

The truth of the matter is that I’m so romantically illiterate that I shouldn’t be allowed to darken the door of any kind of existing romantic genre.  Looking at me, you probably wouldn’t guess it because I fix my hair and stuff.

But just toss a question out to my husband like, “Hey, on a scale of one to ten, where does Rene fall in romantic ability?”

Because he’s a good guy, he’ll probably smile widely and say, “She’s a good cook!”  He’s thinking, “Negative seven.”

When Sean and I got married nearly twenty years ago, I looked to be a very promising wife.  I loved all the things he loved, and I think he was particularly smitten with the fact that I played sports, loved action/adventure flicks and could pig out on nachos and hot wings just like any guy buddy.

When you’re a young man in your twenties, you think you might have found your dream woman.

But all that came to a screeching halt soon into our marriage when Sean tried to send me flowers.  We were on a very tight budget back then and they arrived at our doorstep on a Tuesday while Sean was at work.

For an hour, a dozen stunning, red roses stared back at me from the little bookshelf I set them on.  I studied them for a long time, biting my finger nail, trying to appreciate their beauty and wondering how much that beauty actually cost.

When he arrived home, after gushing about how kind that was of him, I somehow weaseled into the conversation the question about how much “…does a dozen roses cost these days?”

This kind of thing went on for a few years in the early part of our marriage (my squirmy inability to cuddle well, my complete ignorance about the power of poetry, my aversion to classic love songs) until one day Sean stood in our living room and declared, “I think you’re romantically challenged.”

Well at least we’d found a term for it.  And we dismally acknowledged there probably was no cure for my condition. I looked it up on the Mayo Clinic website. Indeed, the statistics were not in my favor.

Thankfully he still loved me anyway.

But as I went on in life, I ruminated about this peculiar problem.  What woman is romantically challenged?  How did that even happen? When did things go wrong? If romance was a stock option, women would rule the world—and I’d be totally broke.

I thought for a long time it might have to do with me being an absurdly practical person. Money on roses? Why not spend it on the water bill?  Sean would write me a poem and in return I would clean out his car to surprise him when he got up on Saturday morning. I don’t have to spell this out for you. Clearly I am lucky to still be married.

I think over the years my husband has subtly tried to help me out with this problem.  As much as I loved action movies, I thought it suspicious when he would insist on going to see romantic comedies with me.  We were of the Tom Hanks/Meg Ryan era of romantic comedies, and I saw every one of them.  Perhaps Sean was hoping against all hope I would at the very least recognize the Empire State Building observatory deck was amazing at night. (I say cold and windy, but please believe I’m trying.)

The thing that always drew me to writing and watching romantic comedy was the dysfunction.  That, I knew, was how love really worked.  Save it, Nicholas Sparks. I’m on team Sandra Bullock, where every romantic relationship is steeped in personality disorders.

I never bought into the idea of romance.  And I was sure I never would.  Romance, I thought, was just lame idealism, the world’s answer to the lack of loyalty and dedication to the hard part of life—real life—where people fail at sticking around at the first bump in the road.

Romance was, at best, unstable.

So I immersed myself in nachos, action flicks, and lacing my books with enough romance to get the general reader hooked and get me off the hook.

Then, along came Old Fashioned.

My longtime publisher, Tyndale, asked if I would read the script to see what my interest was in doing a novelization of it.  They said it was a straight-up romance.  To be polite and remain in good standing with all my editors, I excitedly agreed while secretly slumping on the other end of the phone.  I was hoping for a murder-mystery or something that didn’t involve flowers.

I opened up the script and began reading.

I was first caught off guard by the absolutely hilarious dialogue.  I leaned back in my chair, scratched my head, and thought, Huh. Romance writers can be funny. I had no idea. I thought they left humor to the romantic comedy writers.  I checked the name on the front of the script. It was a man who wrote this?

A twinge of jealousy struck me as I read on. I don’t like to be beat by a guy at anything, and certainly not romance.  But this guy had romantic chops.  This thing was the real deal.

I’d intended to sit and read for about thirty minutes or so that night, but I read it straight through, astonished at what I was feeling at the end.  Was I feeling…romantic?  Was I cheering on romance?  Was I rooting for what I thought I was rooting for…love?

Of course, the script did what writer Rik Swartzwelder intended it to do, which was challenge our modern world’s view of love and reintroduce a notion that hasn’t seen the light of day since perhaps Jimmy Stewart stopped making movies—chivalry.

And I suddenly understood that perhaps my own aversion to romance was itself drenched in the misconception about love and romance that had been ingrained in me since I was a child.  I realized that I certainly couldn’t live up to the hype of modern-day romance, love and sex.  What woman can?  We’re presented with flowers and chocolates and suddenly, no matter the guy’s intentions, we’re supposed to be every man’s dream.  We’re supposed to be more than a fairytale, mind-blowing in a way that puts Meg Ryan diner scenes to shame.

Though my husband never expected that from me, and in fact kindly accepted me as I was, I had put my own expectations on the notion of romance, and decided that I couldn’t possibly live up to the hype that came along with a box of chocolates.  So I rejected the notion of romance.

What a shame! What I have missed!

But I knew I had true love.  If Sean can love me through our rose fiasco, then I think it is love to stay.

And perhaps, if he ever decides to courageously return to his old fashioned, chivalrous ways, I will find within me the delight that I know it can bring, as it underscores that we’re lucky enough to have found the beauty of true love.

Rene

P.S.  Before I start getting mail about this, yes, we’ve read The 5 Love Languages, listened to the audio version, done the workbook, watched the small group DVD and attended the class at church.  I’m going to be writing Dr. Gary Chapman to let him know there are actually 6 love languages, the sixth being one that requires a mutant gene in the temporal lobe of the brain, but it’s still legit. Sean promises me I’m not the only female who failed the test in the back of the book.