Tag Archives: Faith-based films

Real life is messy

Messy

To be clear, the characters of Clay and Amber in Old Fashioned are not perfect.  They are flawed, broken people who are doing the best they can in stumbling toward a better way of loving each other… and a better understanding of God’s love for them.

Just like most of us.

It’s a tricky thing whenever you explore religious or spiritual themes in a film and especially so when you get anywhere near the label of being “faith-based” or something along those lines.

Suddenly, there is this odd expectation that the characters in your film are no longer allowed to be human or imperfect; but rather, they must be… examples.

That’s a lot of pressure.

And it’s also one of the reasons that so much criticism is often leveled at faith-based films for not being realistic or dealing with real-world issues in ways that are familiar to the audience.

Honestly, given some of the parameters of this niche… I’m not sure how you could accurately and truthfully make a “faith-based” film about the life of King David… or Abraham and Sarah… or countless other Biblical characters that were deeply, profoundly flawed.  I think there would be a great deal of pressure to tidy things up a bit… or leave certain elements out so as to not rock the boat too much… or, possibly, to craft a superior and more appropriate example.

And that would be a shame.  Because it is often through brokenness that God does some of His very best work.

Now, just so there is no confusion over what I’m saying here… I’m not saying you would have to be explicit in a film depicting the darker corners of the lives of those Biblical characters… or any characters in any film.  In the case of Clay and Amber in Old Fashioned, we’re able to explore some real, grown-up issues in a way that never gets explicit or crosses any lines.

Old Fashioned is rated PG-13 for “thematic material” which translates… real life is messy.  And probably a little boring for little kids!

Our film has no coarse language (at all), no explicit sex or violence, and nothing that exploits or degrades the actors.  But, it does deal honestly and openly with some relational mistakes and regrets and situations that are very much set in reality and are just as messy and complicated as those found in our own lives.

And still, God’s grace abounds.

Bottom line is, when it comes to film ratings, if you filmed someone at a table who just opened a Bible and starting reading out loud from the Old Testament… that would almost certainly be rated PG-13 for “thematic material.”  As it should.

In any event…

It’s more than a little important when making (or watching) a film that includes religious or spiritual themes that we remember and remain open to the indisputable fact that all of us—ALL of us—are still works in progress.

As Aunt Zella says in Old Fashioned…

“None of us fully arrive this side of Heaven.”

There is a deep longing for authenticity and genuine innocence growing in our culture.  And the common ground for connecting and sharing the love of Christ with those that are searching is our brokenness… not our perfection (or rather, our imagined perfection).

I mention this because…

With all of the Fifty Shades of Grey hype and comparison with Old Fashioned (which has raised our profile beyond measure and for which I’m sincerely grateful), some might start thinking that we’re positioning ourselves as some kind of Pollyanna or perfect “example” of flawless, unblemished love.

We are not.

The truth is, both stories deal with very broken, wounded protagonists… two men that are isolated, damaged, and emotionally detached.

The difference is in how the protagonists pursue their healing.

It’s not about passing judgment on anyone or anything… it’s about a sincere desire to find paths toward healing and wholeness in a world that often outright ignores the sacred aspect and purpose for which love and romance was created.

And finding those paths, in life and movies (and marketing) can be and often is… messy.

Thank God for His mercy… and for providing us all with the one and only perfect “example” this world has ever seen…

– Rik

 

Curious?

50ShadesVsOF1200Timing is everything.

To repeat, just for the record, it has been over a 10-year journey getting Old Fashioned to the silver screen.  Not an uncommon story in the making of many films, but still…

From the initial idea to eventually writing the script and raising the money… all the way up to learning that Fifty Shades of Grey was releasing their film as a mainstream, romantic date-night movie… and deciding to wait and release our film on the same weekend—Valentine’s Day 2015.

More than ten years.

I mention the time frame—again—because it’s important to reiterate that Fifty Shades of Grey wasn’t even on our radar during the years we were developing and financing Old Fashioned.

We didn’t set out to make Old Fashioned as a response to any other book or movie… we were simply trying to craft a love story that was God-honoring and took a counter-cultural approach to many of the sexual mores of contemporary American society.

Even so, when the opportunity arose to release our film at the same time… well, that was and is a deliberate choice for which we make no apology.  We think it’s a great chance to engage culture in a discussion about that world we are creating, for ourselves and those that follow.

And this opportunity only became available to us because of… timing.  And, more specifically, I would say… God’s timing.

All the delays, struggles, “almosts” and the wide variety of hurdles we had to overcome to get our film made and ultimately released in theatres nationally—the very kinds of things that can easily make one question God—I now honestly believe were all placed there by God.

“For such a time as this” as the Scripture goes.

This really hit me hard recently as I was walking through some airports and movie houses…

Curious?

The big, seductive, cinematic ad entices.  And it’s everywhere.  Fifty Shades calling out to all those who walk by… including families with little children, young girls on the brink of womanhood, high school boys looking for role models, married couples getting bored with each other…

Curious about what?

Things that will lead to wholeness and a greater sense of self-worth?  Things that will create more healing in our hearts and less emotional damage?  Things that will inspire us to live up to our best natures?

Or… ?

We live in a sex-obsessed culture.  It is undeniable.  Hooking up has virtually become a national pastime.  We worship physical beauty and pleasure and amusement and anyone who denies that just isn’t paying attention or is being willfully blind.  I’m not saying that it’s worse than any other time in human history, but it is increasingly becoming more obvious and with the unending advance of technology, increasingly relentless and hard to avoid.

All that said, throwing stones at the obvious doesn’t really help anyone.

And the truth is that we also live in a time when any kid with access to a computer and no parental supervision can see—in about three seconds—far worse than whatever the film version of Fifty Shades will offer.

So what’s the big deal?

As I’ve commented before, it’s precisely the coy, cultural grin and collective “no big deal” attitude and embrace of Fifty Shades that is what sets it apart—especially once they made the decision to release the film on Valentine’s Day and mass market it as an aspirational romantic option.

Still, when an erotic novel trilogy sells over 100 million copies worldwide, it’s clear that it is offering something that people want.  Why shouldn’t filmmakers try and get a piece of that action?

We live in a free society, and I’m grateful for that.  No one is calling for censorship or a boycott or anything like that at all.  We are merely exercising our right to challenge the status quo and offer up a choice that—we believe—considers a more beautiful and noble way of approaching love and romance.

The stories to which we give our time and money and lift up for adulation… those stories will eventually shape who we are and what we become.  That’s a sobering thought.

When it comes to racism and bigotry in film and literature… the importance and power of this is (thankfully) realized universally.

But what do we really want for ourselves, romantically?  What do we truly hope for those that are closest to us, that we care most about?  What kind of legacy do we want to leave for those that follow?

We’re not saying that Old Fashioned is perfect or that everyone has to agree with every choice made by Clay and Amber (the very human and flawed lead characters in our film), but our story is one that is honestly searching for more than exploitation or objectification… and that matters.

This Valentine’s Day weekend is a chance to make a statement.

We hope and pray you will join us in our David v. Goliath stand-off against a cultural juggernaut that has way more in terms of money and media access than we can even imagine.  We sure can’t do it alone…

You can find our current list of theatrical markets here.

Chivalry can indeed make a comeback… if enough people genuinely want it to.

– Rik

 

Love into Greatness

Did you ever wonder why so many of the world’s most talented and famous singers—in all kinds of genres—grew up singing in churches?

I don’t think it’s a coincidence… and I don’t think those singers can take all the credit for their success.

In part, they were loved into greatness.

It’s true, God-given talent can be spotted from a very young age; but, my guess is that not all of those singers were drop-dead amazing and 100% pitch perfect the very first time they sang a solo at church.  The raw talent may have been there… but it needed to be nurtured.

And it was.  By congregations that applauded them and showered them with praise and encouragement not only for the performance… but also because of the potential that was there.  Those congregations didn’t sit back, fold their arms, and say, “Impress us, kid.”  They did the exact opposite… they took an active role in helping that kid blossom into a greater talent than ever could have been possible without that kind of love and support.

It reminds me of a story I heard once about a church congregation looking for a new pastor.  They kept getting all these top-notch resumes from rock star preachers, but passed on them all.  Finally, they extended an audition/invite to a younger, beginning preacher that was rough around the edges but had genuine potential.  The church gave him the job.  Someone asked one of the elders why the church passed on so many great preachers and offered the job to someone with so little experience…

The elder replied, “Those other preachers are already great.  We’d rather have the kid that could go either way and help ensure that he becomes great.  That’s our job.”

They saw it as their mission to love into greatness.  Beautiful.

So… what’s any of this got to do with Old Fashioned or filmmaking?

I’ve been pretty blessed and lucky in my filmmaking journey.  Many of my earlier films have done rather well on the festival circuit, received distribution deals, and earned some decent reviews.  And, even though I’ve also dealt with my fair share of criticism (like all filmmakers)… by and large, I’ve been on the receiving end of above average encouragement, kudos, and support.

That’s not true for everybody.  Especially for a lot of young filmmakers just now starting out…

We are in the midst of a mini-explosion of “faith-based” films (I’m on a mission to dream up another genre description for this)… and a lot of these young filmmakers just beginning their journeys are taking an absolute beating.  To say they are not being loved into greatness would be a gross understatement.

Now, again, I would never defend any hack charlatans that are making quickie films to cash in on a niche… or those that really don’t love cinema and aren’t genuinely working as hard as they can to make the best films they possibly can.  But the truth is, I really don’t know many filmmakers like that, personally.  Most of the folks I know want to make solid, entertaining films… and are committed to finding ways to make the exploration of spiritual themes more organic and authentic in their work.

But alas, many of the most talented filmmakers I’ve met along the way are no longer making films.  They were crushed, mercilessly, over and over for not making Citizen Kane right out of the gate and simply decided it just wasn’t worth it any more.

I can hear it already: “Well, they didn’t want it bad enough.  Too bad.  Toughen up.”  But, until you’ve been on the receiving end of unbridled, gleeful (often anonymous) criticism… no disrespect, but, you really don’t know what you’re talking about.

Maybe it’s because we live in such a media saturated age and we love talking about movies so much as a culture.  But, the chatter (even amongst “religious” or “spiritual” people) can be just plain brutal, especially in the Internet era.  And I wonder, what’s the point or goal of that?

As hard as it is to sing a solo in church… directing a film is infinitely more complicated, has way more moving parts, and many more things that can go wrong along the way.  And yet, I rarely see the concept of “love into greatness” applied to young filmmakers just starting out to the degree it is in other mediums.

And that’s a shame.  Like that church elder said, it is up to us to ensure that the kid that has the talent—but could go either way—becomes great, lives up to his or her potential.  Not beat them down because the effects in their first sci-fi short or indie feature don’t live up to the latest Star Wars film or superhero movie.

On that note, if you haven’t seen the very first films (shorts or features) of your favorite director, that might be worth doing.  With few exceptions, most of those films are far from perfect even though they do admittedly possess the spark and possibility of something better further down the road.  And many of the world’s greatest filmmakers owe their very careers to insightful critics who saw that potential and helped nurture it so it might survive and blossom (rather than kill it for not being fully formed right out of the gate).

To be clear, I’m in no way saying that there shouldn’t be film criticism… there definitely should be.  And I’m not saying we should settle for less than the pursuit of artistic excellence in “faith-based” filmmaking (or any other kind).  We shouldn’t.  But, what’s our end game?  The purpose of our critique?

There is a context for everything.  And it takes time to get great at anything.  Legend has it that Frank Capra (It’s a Wonderful Life) made more than 100 one-reelers (10-minute shorts) before his first full-length feature.  I’ve never seen his very first short, but… my guess is, it isn’t a home run.

As people of faith, we should be looking for ways to “love into greatness” whenever possible… that’s really all I’m trying to say here.  And that goes for all of life.  Not just for kids singing in church.  Not just for filmmakers.  For everyone…

My official two cents for the day…

“Do not let any unwholesome talk come out of your mouths, but only what is helpful for building others up according to their needs, that it may benefit those who listen.” (Ephesians 4:29)

– Rik

 

A higher calling…

I’ve had some media interviews and discussions related to Old Fashioned since that last blog entry and it’s got me thinking again about something I’ve believed and harped about for quite some time:

The process is as important as the end product.

To explain what I mean, I’d like to briefly continue the thought of the last blog and take it in a slightly different direction.  While I enthusiastically agreed with the idea that the smartest thing “Christian” movies can do right now is be good, I actually think—at a deeper level—the greater issue remains that filmmakers of faith should aim to be “good” in the way they make their films as well as being focused on creating “good” films, period.

As the old campfire songs goes: “And they’ll know we are Christians by our love, by our love… yes, they’ll know we are Christians by our love.”

Not by our great films.

And this isn’t meant to let sloppy filmmakers off the hook or imply that filmmakers of faith shouldn’t pursue excellence, but…

You could make the greatest, most awe-inspiring film about the life of Christ and yet do it in such a way as to make a mockery of that very same life.  And the opposite could be true as well.

There is so much chatter right now about “faith-based” films and what they should be or shouldn’t be… what they should do or shouldn’t do.  But almost all of these discussions are based on defining things be the final product, not the process…

How was the cast treated?  The crew?  Were promises honored?  Was the production a blessing or a curse to the local community?  Was the spirit of Christ reflected in the deals, the contracts, the negotiations?

This is complicated stuff, admittedly.  Making films is a high-stakes, high-pressure affair and mistakes will be made.  No one is perfect.  But, the point is, to be a maker of “faith-based” films is to be committed to more than merely including elements that will “sell” to a niche.

There is a higher calling, in my opinion.  A much higher calling.

– Rik